{"id":39,"date":"2011-10-16T20:37:22","date_gmt":"2011-10-16T20:37:22","guid":{"rendered":"http:\/\/www.vavilapopovici.com\/wp\/?page_id=39"},"modified":"2013-12-12T22:53:08","modified_gmt":"2013-12-13T03:53:08","slug":"intre_spaima_si_vis","status":"publish","type":"page","link":"https:\/\/www.vavilapopovici.com\/wp\/intre_spaima_si_vis\/","title":{"rendered":"Intre spaima si vis"},"content":{"rendered":"

\u00a0\u00centre spaim\u0103 \u0219i vis<\/em> \u2013 volum de poezii, publicat 2004, Romania.<\/p>\n

\"\"\u00a0Not\u0103: \u00cen paginile acestui volum, poeziile sunt prezentate \u0219i \u00een traducere englez\u0103.<\/em><\/p>\n

Doamna Vavila Popovici \u015fi-a impus numele \u00een poezia rom\u00e2neasc\u0103 contemporan\u0103 prin crea\u0163iile sale lirice de incontestabil\u0103 valoare literar\u0103.
\nUna dintre cele mai noi lucr\u0103ri ale domniei sale este o carte bilingv\u0103, ap\u0103rut\u0103 la Editura \u201eCarminis\u201d, \u00een 2004, \u00een care, at\u00e2t cititorii rom\u00e2ni, c\u00e2t \u015fi cei britanici \u00ee\u015fi g\u0103sesc ceasuri de aleas\u0103 satisfac\u0163ie spiritual\u0103.\u00a0Ea poart\u0103 pe copert\u0103 numele \u201e\u00centre spaim\u0103 \u015fi vis \/ Between fear and dream\u201d, nume de transparent\u0103 semnifica\u0163ie, socotind c\u0103 poezia este, la urma urmei, expresia liric\u0103 a vis\u0103rii, adeseori b\u00e2ntuite de spaimele determinate de drama existen\u0163ial\u0103 uman\u0103.\u00cen poemul ce d\u0103 titlul c\u0103r\u0163ii, omul este \u00eenot\u0103torul nevoit s\u0103 se \u00eenscrie pe cursa lung\u0103 a vie\u0163ii sau pe un traseu mai scurt al ei: \u201eArunca\u0163i suntem de la na\u015ftere \/ \u00eentr-o ap\u0103 ad\u00e2nc\u0103, \/ obliga\u0163i s\u0103 \u00eenot\u0103m, \/ s\u0103 ajungem la cel\u0103lalt mal, \/ f\u0103r\u0103 posibilitate de \u00eentoarcere, \/ ci doar de renun\u0163are.\u201d<\/p>\n

\u00cen critica literar\u0103, doamna Vavila Popovici este mai mult dec\u00e2t pomenea Nicolae Manolescu: poeta \u201ccorect\u0103 \u015fi cuminte\u201d. Un exeget mult mai apropiat de realitatea discursului liric al creatoarei cobor\u00e2te din Bucovina de Nord \u201epe Arge\u015f \u00een jos\u201d este prefa\u0163atorul volumului \u201e\u00centre spaim\u0103 \u015fi vis\u201d, domnul profesor Simion B\u0103rbulescu, care observ\u0103 c\u0103 \u201epoeta cultiv\u0103 imagini generatoare de contempla\u0163ie \u015fi extaz\u201d, at\u00e2t \u00een buchetul de poeme cuprins \u00een cartea discutat\u0103, dar \u015fi \u201e\u00een toate cele \u015fapte volume anterioare.\u201d<\/p>\n

Contempla\u0163ia \u015fi extazul presupun neap\u0103rat imagini artistice lucrate cu imagina\u0163ie creatoare, cu acurate\u0163e, cu profesionalism poetic. \u00cen lirica doamnei Vavila Popovici, filonul erotic constituie o permanen\u0163\u0103 tratat\u0103 cu subtilitatea sincer\u0103 a introspec\u0163iei psihologice gradate, cu fine\u0163ea \u015fi farmecul sincerit\u0103\u0163ii feminine: \u201eLa \u00eenceput a fost efluviul magnetic \/ al ochilor t\u0103i. \/ Apoi a fost g\u00e2ndul, \/ g\u00e2ndul patima\u015f, \/ s\u0103rutul divin, \/ tremurul trupului \/ prins \u00een bra\u0163ele tale.\u201d (\u201eLa \u00eenceput\u201d). Evocarea cuplului fericit de odinioar\u0103 aduce dulcele gust amar al iubirii: \u201eErai at\u00e2t de lini\u015ftit\u0103 \/ c\u00e2nd \u00ee\u0163i aflai fiin\u0163a \/ \u00een \u00eenc\u0103perea inimii celuilalt! \/ Inim\u0103 \u00een inima sa!\u201d (\u201eErai at\u00e2t de lini\u015ftit\u0103\u201d). Sau, tot evocator: \u201eOrice col\u0163 al od\u0103ii mi te-aminte\u015fte \/ orice lucru de tine-mi vorbe\u015fte\u2026 \/ Tu, cel ce mi-ai fost iubire.\u201d (\u201e\u00cen nop\u0163ile reci\u201d). Circumstan\u0163ele dragostei \u015fi finalitatea ei sunt revelate poetic \u00een imagini fermec\u0103toare: \u201eDragostea vine de undeva \/ ca o incanta\u0163ie mistic\u0103, \/ dragostea devine nisip c\u00e2nt\u0103tor, \/ armoniz\u00e2ndu-se \/ cu c\u00e2ntul universului. \/ Cale f\u0103r\u0103 \u00eentoarcere!\u201d<\/p>\n

Deasupra trec\u0103toarei fiin\u0163e omene\u015fti, \u00eensufle\u0163ite de frumosul inimii-iubirea, st\u0103 \u00eens\u0103 Dumnezeu, \u015fi autoarea \u00ee\u015fi \u00eenchin\u0103 firava trecere \u00een fa\u0163a m\u0103re\u0163iei Lui, \u00een adresare direct\u0103, a\u015fa cum se \u00eent\u00e2mpl\u0103 \u00een inspiratul poem \u201e\u00cenchinare\u201d: \u201e\u00cen fa\u0163a acestui altar, \/ cu Tine vorbesc. \/ Mi-ai eliberat sufletul r\u0103stignit\u2026 \/ \u015ei dac\u0103 \u00een lumea aceasta, \/ o clip\u0103 am iubit ceva \/ mai mult dec\u00e2t Fiin\u0163a Ta, \/ Tu iarta-m\u0103, Doamne!\u201d
\nUmilin\u0163a ia trup artistic \u015fi \u00een \u201e\u00cenva\u0163\u0103-m\u0103!\u201d: \u201e\u015ei acum Doamne? \/ \u00cenva\u0163\u0103-m\u0103 supravie\u0163uirea acestui timp \/ rupt din timpul T\u0103u cosmic.\u201d \u00centre puritatea iubirii \u015fi dragostea fa\u0163\u0103 de Creator, via\u0163a este un permanent izvor de inspira\u0163ie, desf\u0103\u015furat \u00eentre mirajul naturii, anotimpuri, spa\u0163iul domestic, fascina\u0163ia muzicii, fiin\u0163ele dragi, reflec\u0163iile filosofice existen\u0163ialiste, via\u0163a \u00een totalitarism, fragilitatea fiin\u0163ei umane \u015fi dramatismul ei final: \u201eVine un moment al vie\u0163ii \/ c\u00e2nd \u00eencepem s\u0103 pierdem: \/ Pierdem fiin\u0163ele dragi, \/ pierdem lucrurile \/ care ne-au bucurat via\u0163a\u201d (\u201ePierderi, renun\u0163\u0103ri\u201d); \u201eIarna cu prinos de z\u0103pad\u0103, \/ a\u015fternut\u0103 fermec\u0103tor, \/ purific\u00e2nd materia \u015fi g\u00e2ndurile.\u201d (\u201eIarna\u201d); \u201eSunetul viorii-c\u0103ldura vibrant\u0103, \/ lirismul fermec\u0103tor, \/ limbajul sugestiv, unduitor\u2026\u201d (\u201eConcertul\u201d); \u201eSuntem at\u00e2t de asem\u0103n\u0103tori unul cu altul \/ \u015fi totu\u015fi at\u00e2t de diferi\u0163i \/ \u015fi-at\u00e2t de nep\u0103s\u0103tori\/unul fa\u0163\u0103 de altul\u2026\u201d (\u201eSuntem\u201d); \u201e\u00ce\u0163i plac trecerile line \/ ale unui anotimp \u00een altul, \/ calmul \u015fi lini\u015ftea v\u0103zduhului\u2026\u201d (\u201eCapricii\u201d). \u00cen \u201eTrezit\u0103 din somn\u201d, un sensibil fragment de pastel: \u201eCrengile arborilor \u00eencing hore, c\u0103lc\u00e2nd u\u015for, gra\u0163ios \/ aerul albastru al \u00een\u0103l\u0163imilor.\u201d Apoi \u00een \u201eInsomnie\u201d: \u201eFulgerele br\u0103zdau \u00eentunericul, \/ se succedau frenetic \/ \u00eentr-un dans demonic.\u201d Cartea se \u00eencheie cu un evantai de \u201eCuget\u0103ri\u201d originale, c\u00e2teva \u00een stilul minipoemelor haiku: \u201e\u00centre via\u0163\u0103 \u015fi moarte – \/ speran\u0163a unei vie\u0163i f\u0103r\u0103 de moarte\u201d.<\/p>\n

Poeme albe, concepute astrofic, crea\u0163iile lirice ale doamnei Vavila Popovici fream\u0103t\u0103 de idei excitante intelectual, dovad\u0103 c\u0103 nimic din ce simte \u015fi ce observ\u0103 \u00een jur nu \u00eei este str\u0103in, abund\u0103 \u00een imagini vii, lucrate cu arta sensibilit\u0103\u0163ii cuv\u00e2ntului ales. Poezia sa o situeaz\u0103 \u00eentre prezen\u0163ele feminine de marc\u0103 ale literaturii contemporane.<\/p>\n

\u00a0Ion Georgescu
\n<\/em><\/p>\n

\u00a0* * *<\/p>\n

\u00a0\u2026Altfelitatea poemelor scrise trebuie c\u0103utat\u0103 tocmai \u00een lirismul nota\u021biilor, al inscrip\u021biilor \u0219i miniaturilor lirice, \u00een claritatea \u0219i simplitatea imaginilor, \u00een lipsa lor de ostenta\u021bie, \u00een \u00eencorporarea elevat\u0103 a unor \u201eemo\u021bii, bucurii, \u00eentrist\u0103ri\u201d generatoare de emo\u021bii artistice.
\n\u00cen concluzie, noul volum de versuri pe care ni-l propune acum Vavila Popovici, se recomand\u0103 ca un elevat final erotic, din care suntem \u00eendemna\u021bi s\u0103 re\u021binem propedeutica iubirii, situate \u00eentre vis \u0219i speran\u021b\u0103, devenirea fiind circumscris\u0103 \u201e\u00centre spaim\u0103 \u0219i vis\u201d \u2013 dup\u0103 cum sun\u0103 titlul\u2026 Alfelitatea poemelor sale pe tot parcursul presta\u021biei poetice se \u00eenscrie indubitabil \u00een transcrierea \u201ecorect\u0103 \u0219i cuminte\u201d (cum o numea Nicolae Manolescu), \u00een contextul unor imagini post-moderne \u2013 generatoare de emo\u021bii artistice, ca-n poezia \u201eAlunecosul timp\u201d.<\/p>\n

\u00a0Simion B\u0103rbulescu
\n<\/em><\/p>\n

\u00a0* * *<\/p>\n

\u00a0\u2026Limbajul sugereaz\u0103 o claviatur\u0103 \u00eenalt\u0103, fiorul iubirii prin cuv\u00e2nt\u2026 Jocul este \u2013 aici \u2013 expresia spaimei iar visul e miracolul \u201ev\u0103zut\u201d ca un refugiu. Succesiunea de secven\u021be metaforice, simbolice, prin lumi \u0219i sensuri, \u00eenseamn\u0103 de fapt o \u201efug\u0103\u201d nu de Bach, ci de sine, o tentativ\u0103 de o posibil\u0103 uitare.<\/p>\n

\u00a0Victor Sterom
\n<\/em><\/p>\n

\u00a0* * *<\/p>\n

O carte \u00eenc\u0103rcat\u0103 de lirism ce d\u0103 impresia de curgere lent\u0103 a g\u00e2ndurilor spre a sublinia statornicia sentimentului, fidelitatea erosului place. Confesiunea dezv\u0103luie un caracter ferm, o sensibilitate rar \u00eent\u00e2lnit\u0103, puse \u00een valoare de versuri bine concepute, remarcabile prin acurate\u021be.<\/p>\n

\u00a0Renata Alexe
\n<\/em><\/p>\n

\u00a0* * *<\/p>\n

Volumul contureaz\u0103 cu fine\u021be imaginea unei poete neoromantice, cultiv\u00e2nd o liric\u0103 meditativ-reflexiv\u0103… Cu sufletul alerg\u00e2nd pe claviatura vie\u021bii, poeta \u00ee\u0219i pune \u00eentreb\u0103ri fundamentale… Ca \u0219i Alexandru Filippide \u0219i George C\u0103linescu, cultiv\u0103 poezia lucrurilor m\u0103runte… Se dovede\u0219te a fi o remarcabil\u0103 creatoare de legende, amintindu-ne de \u0218tefan Augustin Doina\u0219… Poeta pledeaz\u0103 pentru valorile umane universal valabile: calm, lini\u0219te, armonie, \u00een\u021belegere, bl\u00e2nde\u021be, tandre\u021be, manifest\u00e2ndu-\u0219i dezacordul fa\u021b\u0103 de ironie, cinism, lips\u0103 de m\u0103sur\u0103, lips\u0103 de bun sim\u021b, fa\u021b\u0103 de dezl\u0103n\u021buirile vulcanice \u0219i nelini\u0219tea agresiv\u0103. Eliberarea de toate frustr\u0103rile \u0219i agresiunile este posibil\u0103 doar prin art\u0103, arta vazut\u0103 ca o stare catharsis…<\/p>\n

\u00a0Mariana Strung\u0103
\n<\/em><\/p>\n

\u00a0* * *<\/p>\n

Vavila Popovici este o autoare cu un spirit t\u00e2n\u0103r, conservat cu grij\u0103 de visele \u0219i speran\u021bele pe care le \u021bine aproape ca pe ni\u0219te prieteni dragi. Cartea este un volum dedicat singur\u0103ta\u021bii \u00een care se zbate oricare dintre noi, chiar dac\u0103 este mereu \u00eenconjurat de lume. Este vorba de o existen\u021b\u0103 tr\u0103it\u0103 ca pe o misiune: \u201eEu \u00eenc\u0103 mai sunt, \/ dragule \/ fiindc\u0103 simt \/ c\u0103 dore\u0219ti s\u0103 mai fiu.\u201d<\/p>\n

\u00a0Luiza Dobrescu
\n<\/em><\/p>\n

\u00a0* * *<\/p>\n

\u00a0NE DEP\u0102RT\u0102M<\/p>\n

Nu ne mai ajung
\norele unei zile,
\nnu ne mai ajung
\nzilele s\u0103pt\u0103m\u00e2nii,
\nlunile trec \u00eentr-un s\u0103lbatic zbor,
\nla fel trec \u0219i anii.
\nAlerg\u0103m, alerg\u0103m, ne agit\u0103m\u2026
\nne vedem \u00eentre ani,
\nca \u0219i cum via\u021ba noastr\u0103
\ns-ar desf\u0103\u0219ura
\nde-a lungul unui secol.
\n\u00cencerc\u0103m acel sf\u00e2\u0219ietor
\nsentiment al dep\u0103rt\u0103rii,
\npierdem c\u0103ldura sufleteasc\u0103,
\npierdem comunicarea g\u00e2ndurilor,
\npierdem at\u00e2tea dialoguri sfinte,
\npierdem at\u00e2ta iubire,
\npierdem at\u00e2ta via\u021b\u0103!
\nAsemeni stelelor, galaxiilor,
\nne dep\u0103rt\u0103m.<\/p>\n

\u00a0 * * *<\/p>\n

\u00a0 PIERDERI,\u00a0RENUN\u0162\u0102RI<\/p>\n

Vine un moment al vie\u0163ii
\nc\u00e2nd \u00eencepem s\u0103 pierdem:
\nPierdem fiin\u0163ele dragi,
\npierdem lucrurile
\ncare ne-au bucurat via\u0163a,
\npierdem leg\u0103tura str\u00e2ns\u0103 cu via\u0163a,
\npierdem anii,
\npierdem prea mult
\n\u015fi niciodat\u0103 nu \u015ftim de ce
\ntrebuie s\u0103 pierdem at\u00e2t.
\nFiecare pierdere mu\u015fc\u0103 din inima ta!
\nC\u00e2t suntem tineri, nu ne imagin\u0103m
\nc\u0103 vom putea pierde c\u00e2ndva
\nceea ce am c\u00e2\u015ftigat
\n\u00een lupt\u0103 cu via\u0163a…
\nNu \u015ftim c\u0103 va trebui
\ns\u0103 suport\u0103m, mai t\u00e2rziu,
\ncu demnitate renun\u0163\u0103rile,
\nf\u0103r\u0103 s\u0103 ni se fr\u00e2ng\u0103 fiin\u0163a,
\nPentru toate-aceste mor\u0163i absurde
\ns\u0103 fie de vin\u0103 gre\u015felile noastre?
\nDar, Doamne,
\n\u00een ce moment al vie\u0163ii
\n\u00eencepem s\u0103 gre\u015fim?
\nGre\u015fim pentru c\u0103 suntem,
\nsau suntem pentru a gre\u015fi?<\/p>\n

\u00a0* * *<\/p>\n

\u00a0PAS\u0102REA<\/p>\n

O pas\u0103re
\nde culoarea cerului \u00eennorat,
\npe p\u0103m\u00e2nt c\u0103z\u00e2nd\u2026
\nPas\u0103re de plumb,
\naripi \u00eentinse,
\npliscu-i
\np\u0103m\u00e2ntul s\u0103rut\u00e2nd…
\nUn sc\u00e2ncet
\nde-abia perceptibil,
\nasemeni sc\u00e2ncetului de copil\u2026
\nO raz\u0103 de soare
\noprit\u0103 pe cer mirat\u0103,
\npas\u0103rea de propriile-i aripi
\ntr\u0103dat\u0103…
\nPas\u0103re neantificat\u0103,
\nzbor \u00eenfr\u00e2nt!<\/p>\n

\u00a0* * *<\/p>\n

\u00a0SE\u00a0POATE\u00a0TR\u0102I\u00a0U\u015eOR<\/p>\n

Se poate tr\u0103i u\u015for,
\nf\u0103r\u0103 iubire \u015fi f\u0103r\u0103 blesteme.
\nSe poate tr\u0103i u\u015for,
\nf\u0103r\u0103 semne de \u00eentrebare.
\nSe poate \u00eentruna r\u00e2de proste\u015fte,
\nSe poate tr\u0103i at\u00e2t de u\u015for!<\/p>\n

Se poate tr\u0103i u\u015for
\nf\u0103r\u0103 prea mult a-n\u0163elege,
\nf\u0103r\u0103 a-ncerca s\u0103 str\u0103vezi v\u0103zutul,
\na tr\u0103i, astfel, este at\u00e2t de u\u015for!<\/p>\n

Dar c\u00e2nd nimeni zborul
\nnu \u0163i-l poate opri,
\nc\u00e2nd acesta ignor\u0103 timpul,
\nc\u00e2nd ochii t\u0103i deschi\u015fi v\u0103d totul,
\nc\u00e2nd ochiul min\u0163ii lucreaz\u0103
\nnoapte \u015fi zi
\n\u015fi tu cau\u0163i r\u0103spunsuri la toate,
\no, Doamne,
\na tr\u0103i u\u015for, atunci, nu se mai poate!<\/p>\n

\u00a0 * * *<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

\u00a0\u00centre spaim\u0103 \u0219i vis \u2013 volum de poezii, publicat 2004, Romania. \u00a0Not\u0103: \u00cen paginile acestui volum, poeziile sunt prezentate \u0219i \u00een traducere englez\u0103. Doamna Vavila Popovici \u015fi-a impus numele \u00een poezia rom\u00e2neasc\u0103 contemporan\u0103 prin crea\u0163iile sale lirice de incontestabil\u0103 valoare literar\u0103. Una dintre cele mai noi lucr\u0103ri ale domniei sale este o carte bilingv\u0103, ap\u0103rut\u0103 …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":88,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-39","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/www.vavilapopovici.com\/wp\/wp-json\/wp\/v2\/pages\/39","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.vavilapopovici.com\/wp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.vavilapopovici.com\/wp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.vavilapopovici.com\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.vavilapopovici.com\/wp\/wp-json\/wp\/v2\/comments?post=39"}],"version-history":[{"count":0,"href":"https:\/\/www.vavilapopovici.com\/wp\/wp-json\/wp\/v2\/pages\/39\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.vavilapopovici.com\/wp\/wp-json\/wp\/v2\/media?parent=39"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}